Listen to the opening music to "By the Light of the
Silvery Moon"
"Nostalgic Moon Shines a Melodic Light"
In the annual Quigley Poll of the top ten box-office attractions
in America conducted at the end of 1952, Doris Day was determined to
be the top money-making female star in films. "By the Light of the Silvery
Moon", released in 1953, was her first film release after achieving that
honor. "Moon" was a deserved success and certainly worthy of Day's position
within the industry at that time.
"By the Light of the Silvery Moon" is the tuneful follow-up to the very
popular 1951 hit for Warner Brothers, "On Moonlight Bay". Like its predecessor,
it recalls another time and place in America, directly after World War
I, bathing it in a nostalgic warmth and glow in stunning technicolor and
reassembling most of the cast from the earlier film.
The characters and story are very loosely based on the "Penrod" series of stories
written by Booth Tarkington.
Marjorie and Bill, the sweethearts of the piece, are played by Doris
Day and Gordon MacRae, in their 5th and final on-screen pairing. They harmonize
beautifully and play their scenes with genuine and totally unaffected warmth
and believability. Watching Day, it's easy to see why see held the lofty
position within the industry that she held for so long. Her natural likeability
and never cloying manner are soothing and when she sings, as she does frequently,
one is transported to a safe and comfortable haven. The songs include the
title tune, "If You Were the Only Girl in the World" and "Ain't We Got
Fun" to name but a few.
Listen to Doris Day sing "By the Light of the Silvery
Moon"
The remaining members of Marjorie's family are back from the earlier
effort and seem to be more a family than ever before. Leon Ames is part
bluster/part patriarch, while Rosemary DeCamp, as usual, is better than
much of the material Hollywood generally gave her to work with. Billy Gray
is appropriately rowdy but skillfully avoiding the obnoxious elements as
Wesley and Mary Wickes, as she is prone to do, shines in every scene she
plays, a natural treasure as one of the most unique character actresses
in film history.
If you look quickly in the beautifully staged skating sequence near the
film's conclusion, you'll spot Merv Griffin talking through a megaphone
and urging everyone to skate with their sweetheart. Doris Day was responsible
for getting Griffin a contract at Warners, which launched his career. In
1970, she made her first ever talk show appearance on his program.
"By the Light of the Silvery Moon" is as substantial as a Hallmark Card
brought to life but thanks to a fine cast headed by Day, who smoothly mixes
the various facets of her character, some great tunes, a lightweight plot
that never gets in the way of the music and some fine Warner Brothers production
values, it works.
By the final credits you care so much about these characters that you
almost wish Warner Brothers had done one more chapter to the story. The
light in this moon certainly becomes everyone involved.
Movie reviewer Leonard Maltin "Ames is wonderful as father
thought to be romancing French actress, and Wickes is delightful as family
maid." Blockbuster Entertainment Guide to Movies and Videos (1997)
describes the film as a "nostalgic family musical" with "cheerful
Americana, nicely served by adorable leads and excellent supporting cast."
New York Herald Tribune: The movie is a spun-sugar musical, prettily
pink to go with the season of bunnies, lilies and new bonnets, generous-looking
in Technicolor…. The blonde and energetic Miss Day is at her best
when she winds up for a song, and she certainly does justice to the musical
material in between the romantic tiffs which are her role in this movie.
Hollywood Reporter: By the Light of the Silvery Moon is a warm,
good-natured comedy of nostalgia that pleasantly combines charm, music
and humour to an entertaining degree….Miss Day is thoroughly charming
in the feminine lead and seems to sing better than ever, which is saying
a lot for the always good singing star.
Film Bulletin: The story of young love, complicated by a bringing-up-father
theme, is routine, and has been given the tried-and-true domestic treatment.
But by setting it in the convivial atmosphere of the era following World
War I, and sprinkling it with tunes from "the good old days," a
pleasing musical resulted….Doris Day gives her typical bright and
refreshing performance, and, as always her vocals are mighty pleasing to
the ear.
Variety: The entertainment is excellent, the star names of Doris
Day and Gordon MacRae good….Miss Day and MacRae make a strong pairing
to put over the romantic, comedic and musical moments of the film.
Screenland: As harmless as tiddly winks and as gay as its Technicolor
lensing, this Doris Day-Gordon MacRae starrer continues the small town
Americana pattern established in On Moonlight Bay….Lots of fun,
with a spoof and a song evident in David Butler's directing.